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Tennessee

Wyant, a native of Ohio, painted Tennessee after his 1865 trip to Europe, where he had studied with the Norwegian artist Hans Fredrik Gude. The composition shows his transition from the precise, linear technique of the Hudson River School at midcentury to the freer style, inspired by the Barbizon landscape painters, that characterized his later work. The subject is unusual in that it was painted during the Civil War, at a time when Northern landscape artists avoided portraying the Southern states. While there is no record of the artist’s visiting Tennessee, he spent time in nearby Kentucky during his career.
Wyant, a native of Ohio, painted Tennessee after his 1865 trip to Europe, where he had studied with the Norwegian artist Hans Fredrik Gude. The composition shows his transition from the precise, linear technique of the Hudson River School at midcentury to the freer style, inspired by the Barbizon landscape painters, that characterized his later work. The subject is unusual in that it was painted during the Civil War, at a time when Northern landscape artists avoided portraying the Southern states. While there is no record of the artist’s visiting Tennessee, he spent time in nearby Kentucky during his career.
tennessee
tennessee

Tennessee

Tennessee

Alexander Helwig Wyant | 1866

In this tranquil landscape by Alexander Helwig Wyant, the serene forest radiates stillness and timeless beauty. The soft diffusion of light through the trees, the gentle contours of the terrain, and the quiet solitude evoke a moment of pause in nature’s embrace. Wyant’s delicate handling of light and atmosphere invites a contemplative experience, where the viewer is encouraged to linger in silence.

Yet that stillness is subtly fractured. A scooter leans awkwardly against one of the trees, its presence foreign in this otherwise untouched setting. Just beyond, a man stands with his back turned, having rushed behind a tree to relieve himself. His intrusion is momentary, yet its impact lingers. It draws attention not just to the act itself, but to a broader theme of disregard—an impulsive prioritization of personal convenience over reverence for the environment.

This altered scene reflects a tension between presence and thoughtlessness, between immersion in nature and the habits we bring from modern life. The artwork becomes a quiet commentary on how easily we break the spell of serenity and how quickly the sacred can be made mundane.

€ 299,00

Artikelnummer: wwb-2 Categorieën: , Tags: ,

Beschrijving

At Undecim, we believe that creating art shouldn’t come at the planet’s expense. That’s why our framed canvas prints are crafted with sustainability at their core. Each piece is produced using recycled plastic bottles (rescued from plastic-polluted beaches) and transformed into beautiful, lasting canvases through a circular, eco-conscious process. This isn’t just a canvas; it’s a quiet act of regeneration.

We pair this material innovation with archival 12-colour Giclée printing to ensure rich, vibrant detail that endures for decades without fading. Every frame is handmade using deforestation-free wood and arrives ready to hang in your choice of black, white, natural, silver, or gold. It’s a fusion of ethics and aesthetics; proof that responsible choices can still feel luxurious.

Whether you’re curating a space or building a collection, you can own meaningful art with a minimal footprint. With Undecim, every print is limited, certified, and created with purpose; not just in message, but in material. Because we believe that honouring the planet is inseparable from honouring the art.

Extra informatie

Gewicht 1 kg
Number of Prints

11
Features

– Handmade by specialist canvas framers
– Made from recycled and sustainably sourced materials
– Superior float frame
– Choice of sizes and frame colours
– Professional Giclée photographic print
Artwork Size

Landscape L61cm X W41cm (L24" X W16")
Frame Options

Black, White, Antique Gold, Antique Silver, Natural

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