Search for Auctions or Products...

Menu
Menu
Order Tracking
  1. Home
  2. Santa Maria della Salute, Sunset

Santa Maria della Salute, Sunset

Santa Maria della Salute, Sunset
Santa Maria della Salute, Sunset
Santa Maria della Salute, Sunset
Santa Maria della Salute, Sunset

Santa Maria della Salute, Sunset

Santa Maria della Salute, Sunset

William Stanley Haseltine| ca. 1870

William Stanley Haseltine’s Santa Maria della Salute, Sunset captures the quiet grandeur of Venice at dusk. The golden light softens the outlines of the iconic church, casting reflections across the water and inviting a meditative pause. Known for his clarity of detail and reverence for historical beauty, Haseltine portrays Venice not only as a place, but as a symbol of enduring culture and elegance.

Yet within this serene vision, a modern disruption emerges. In the shaded background, almost hidden from the warm glow of sunset, sits a blonde girl astride a jet ski. She wears a bright swim vest and moves slowly through the still water, constrained by harbour regulations. Her presence is unmistakably modern; her posture casual, her attention fixed not on the architecture or the sky, but on reaching open waters where speed and noise are permitted.

This quiet intrusion reframes the scene. The contrast between timeless stillness and fleeting distraction speaks volumes. It raises questions about how we engage with heritage, with beauty, and with the places we visit. Are we observers or consumers? Do we come to connect or to conquer? The girl’s journey becomes a symbol, not just of leisure, but of how modern life often brushes past reverence in pursuit of sensation.

€ 299,00

Artikelnummer: wwb-10 Categorieën: , Tags: ,

Beschrijving

At Undecim, we believe that creating art shouldn’t come at the planet’s expense. That’s why our framed canvas prints are crafted with sustainability at their core. Each piece is produced using recycled plastic bottles (rescued from plastic-polluted beaches) and transformed into beautiful, lasting canvases through a circular, eco-conscious process. This isn’t just a canvas; it’s a quiet act of regeneration.

We pair this material innovation with archival 12-colour Giclée printing to ensure rich, vibrant detail that endures for decades without fading. Every frame is handmade using deforestation-free wood and arrives ready to hang in your choice of black, white, natural, silver, or gold. It’s a fusion of ethics and aesthetics; proof that responsible choices can still feel luxurious.

Whether you’re curating a space or building a collection, you can own meaningful art with a minimal footprint. With Undecim, every print is limited, certified, and created with purpose; not just in message, but in material. Because we believe that honouring the planet is inseparable from honouring the art.

Extra informatie

Gewicht 1 kg
Number of prints

11
Features

– Handmade by specialist canvas framers
– Made from recycled and sustainably sourced materials
– Superior float frame
– Choice of sizes and frame colours
– Professional Giclée photographic print
Artwork Size

508 x 762 mm (L x W) = 20 x 30in
depth from the wall: 2 in =5,08 mm
Frame options

Black, White, Antique Gold, Antique Silver, Natural

Beoordelingen

Er zijn nog geen beoordelingen.

Enkel ingelogde klanten die dit product gekocht hebben, kunnen een beoordeling schrijven.

Gerelateerde producten

  • Dit product heeft meerdere variaties. Deze optie kan gekozen worden op de productpagina
    The Mountain FordThe Mountain Ford

    The Mountain Ford

    The Mountain Ford

    Thomas Cole | 1846

    In this altered version of The Mountain Ford by Thomas Cole, a serene 19th-century wilderness is disrupted by a subtle but telling presence. While the central figures traverse the river on horseback, unaware, a lone boy sits off to the side of the composition—unaccompanied and absorbed by the cold glow of a handheld screen.

    He is out of place yet entirely believable. His small figure is hunched, eyes fixed downward, disconnected from the world around him. An empty soda can lies at his feet, casually discarded and unnoticed, much like the scene before him. A knight on horseback rides past just a few meters away, yet the boy remains oblivious, unmoved by the spectacle or setting.

    This quiet intrusion offers a layered commentary on our fractured relationship with presence and place. Cole’s original vision invited viewers into a harmonious dialogue between humanity and nature; this version confronts the viewer with solitude and detachment. In an age of constant digital stimulation, even the most majestic or mythical moments risk going unseen—not because they are hidden, but because we are no longer looking.

    € 299,00
    Dit product heeft meerdere variaties. Deze optie kan gekozen worden op de productpagina
    Dit product heeft meerdere variaties. Deze optie kan gekozen worden op de productpagina
    Dit product heeft meerdere variaties. Deze optie kan gekozen worden op de productpagina
  • Dit product heeft meerdere variaties. Deze optie kan gekozen worden op de productpagina
    Concert ChampêtreConcert Champêtre

    Concert Champêtre

    Concert Champêtre

    Jean-Baptiste Joseph Pater | ca. 1734

    In Concert Champêtre, Jean-Baptiste Joseph Pater invites us into a world of aristocratic leisure; where music, flirtation, and pastoral fantasy converge in a carefully staged performance of harmony. Elegantly dressed figures lounge beneath trees, their powdered wigs and silken garments blending into the soft hues of a dreamlike countryside. It is a scene of curated delight; a moment suspended in grace.

    But now, the illusion is broken. At the heart of this reimagined fête galante stands a lone figure, dressed in the same ornate style, yet unmistakably out of place. His powdered hand clutches a glowing mobile phone. His gaze is fixed, not on the lute player or the woman beside him, but on the small screen that pulls him inward and elsewhere. Around him, a few faces turn; not in admiration, but in subtle dismay. His detachment is palpable. He is among them, but not with them.

    This quiet fracture within the painting speaks volumes. It confronts the dissonance between communal presence and digital absence; between the cultivated art of being together and the compulsive pull of always being somewhere else. It asks, in its own baroque whisper: have we brought our distractions even into paradise? Or has our need for connection become the very thing that disconnects us?

    € 299,00
    Dit product heeft meerdere variaties. Deze optie kan gekozen worden op de productpagina
    Dit product heeft meerdere variaties. Deze optie kan gekozen worden op de productpagina
    Dit product heeft meerdere variaties. Deze optie kan gekozen worden op de productpagina
  • Dit product heeft meerdere variaties. Deze optie kan gekozen worden op de productpagina
    Wyant, a native of Ohio, painted Tennessee after his 1865 trip to Europe, where he had studied with the Norwegian artist Hans Fredrik Gude. The composition shows his transition from the precise, linear technique of the Hudson River School at midcentury to the freer style, inspired by the Barbizon landscape painters, that characterized his later work. The subject is unusual in that it was painted during the Civil War, at a time when Northern landscape artists avoided portraying the Southern states. While there is no record of the artist’s visiting Tennessee, he spent time in nearby Kentucky during his career.Tennessee

    Tennessee

    Tennessee

    Alexander Helwig Wyant | 1866

    In this tranquil landscape by Alexander Helwig Wyant, the serene forest radiates stillness and timeless beauty. The soft diffusion of light through the trees, the gentle contours of the terrain, and the quiet solitude evoke a moment of pause in nature’s embrace. Wyant’s delicate handling of light and atmosphere invites a contemplative experience, where the viewer is encouraged to linger in silence.

    Yet that stillness is subtly fractured. A scooter leans awkwardly against one of the trees, its presence foreign in this otherwise untouched setting. Just beyond, a man stands with his back turned, having rushed behind a tree to relieve himself. His intrusion is momentary, yet its impact lingers. It draws attention not just to the act itself, but to a broader theme of disregard—an impulsive prioritization of personal convenience over reverence for the environment.

    This altered scene reflects a tension between presence and thoughtlessness, between immersion in nature and the habits we bring from modern life. The artwork becomes a quiet commentary on how easily we break the spell of serenity and how quickly the sacred can be made mundane.

    € 299,00
    Dit product heeft meerdere variaties. Deze optie kan gekozen worden op de productpagina
    Dit product heeft meerdere variaties. Deze optie kan gekozen worden op de productpagina
    Dit product heeft meerdere variaties. Deze optie kan gekozen worden op de productpagina
  • Dit product heeft meerdere variaties. Deze optie kan gekozen worden op de productpagina
    Bridge over a CascadeBridge over a Cascade

    Bridge over a Cascade

    Bridge over a Cascade

    Hubert Robert | year unknown

    Originally painted by Hubert Robert in the late 18th century, Bridge over a Cascade captured the harmony between classical architecture and the sublime power of nature. Intended as an overdoor piece for an opulent Parisian interior, the painting was a quiet celebration of timeless beauty; of cascading waters, weathered stone, and tranquil reflection.

    In this reimagined version, the serenity of Robert’s romantic landscape is punctured by the unmistakable marks of modern life. The ancient bridge, once a symbol of connection and continuity, now bears the fluorescent scrawl of graffiti; a silent rebellion, or perhaps a desperate need to be seen. At its center stands a woman, not pausing to take in the grandeur of the cascade below, but absorbed in capturing herself against it. Her back is turned to nature; her focus filtered through the lens of her smartphone.

    This intervention is not a mere visual twist; it is a meditation on disconnection in the age of hyperconnection. The piece contrasts the enduring beauty of the natural world with the fleeting noise of digital culture. It asks: What have we brought to these places we once revered? Are we witnessing the world; or simply performing in front of it?

    € 299,00
    Dit product heeft meerdere variaties. Deze optie kan gekozen worden op de productpagina
    Dit product heeft meerdere variaties. Deze optie kan gekozen worden op de productpagina
    Dit product heeft meerdere variaties. Deze optie kan gekozen worden op de productpagina